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It’s been said that not all who wander are lost. Some of our greatest treasures have come from wandering hearts, those who are not afrahid to take risks and experience what our world has to offer. On March 19th, singer/songwriter, upright bassist, and lifelong wayfarer Melissa Carper will unveil her new solo effort, Daddy’s Country Gold. This shimmering 12-song collection of original gems about love and a desire for the simple life mixes melancholy and humor and creates an irresistible pull between laughter and heartache. Having been compared by her listeners to a bluegrass Billie Holiday and a country Janis Joplin, Carper’s distinct and pure voice has reached a new strength and maturity in Daddy's Country Gold.
As a child, Carper, who acquired the nickname “Daddy” years ago from her bandmates for always knowing how to “take care of ‘bidness’,” would lay her head underneath the family record player as she listened to Hank Williams, Patsy Cline, Johnny Cash, and other greats from her parents’ collection. After a childhood spent in her family’s country band, Carper attended the University of Nebraska on a music scholarship, spending much of her time in the library devouring every Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole album she could find. Around this time, Carper’s father gifted her a full collection of Jimmie Rodgers’ recordings, which was a pivotal moment in finding her unique style of songcraft.
After two years of college, wanderlust spirited her away in an inherited 1980 Dodge Maxi-Van, to the historic little town of Eureka Springs, Arkansas, where she saw street performers for the very first time. Busking seemed a very free and appealing endeavor, so Carper diligently learned all the old country songs she loved as a child. As she belted out the lyrics to “Ramblin’ Man” on the Eureka Springs street corners, life began to imitate art; Carper relocated to music hubs like New Orleans, New York City, Austin, and eventually Nashville, oftentimes busking to make ends meet until gigs would come along. In each hub, she immersed herself in the regions’ musical styles and added them to her arsenal of influences.
Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations - country, bluegrass, western swing, and old-style jazz, playing festivals and shows across the globe, and on shows like “A Prairie Home Companion.” Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and girlfriend Rebecca Patek.
Wanderlust and kismet collided during a stint in Nashville, where she knew she wanted to record her old-time country-tinged, western swing-infused solo album. Having befriended fellow Arkansan and bassist Dennis Crouch (Time Jumpers), Carper sought his advice in putting together the crew that could bring her vision to fruition. Armed with an impeccable lineup of Nashville’s finest session players - Chris Scruggs on rhythm guitar and pedal steel, Jeff Taylor on keys, Matty Meyer on drums, Billy Contreras on fiddle, guest appearances from Lloyd Green, Brennen Leigh, and Sierra Ferrell - the foundation was set. With Crouch and producer/engineer Andrija Tokic (Alabama Shakes, Hurray for the Riff Raff) at the helm, the all-in-one-room performances were captured live to tape at Tokic’s studio The Bomb Shelter. With Crouch on bass duties, Carper was free to focus on delivering her vocal magic, and the raw, early 20th-century vintage sound she desired came to life.
Daddy's Country Gold is just that - 12 glittering Carper originals of the country, western swing, and jazz variety. From the first notes of album opener “Makin’ Memories,” to the whimsical “Would You Like To Get Some Goats” and the heart-wrenching tenderness of album closer “The Stars Are Aligned,” this lifetime of work, experience, and wanderlust culminates in a beautiful portrait of heartfelt music, written by a road-lovin’ gal who has lived these songs and spent her life playing music for folks that still love the real thing.
As a child, Carper, who acquired the nickname “Daddy” years ago from her bandmates for always knowing how to “take care of ‘bidness’,” would lay her head underneath the family record player as she listened to Hank Williams, Patsy Cline, Johnny Cash, and other greats from her parents’ collection. After a childhood spent in her family’s country band, Carper attended the University of Nebraska on a music scholarship, spending much of her time in the library devouring every Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole album she could find. Around this time, Carper’s father gifted her a full collection of Jimmie Rodgers’ recordings, which was a pivotal moment in finding her unique style of songcraft.
After two years of college, wanderlust spirited her away in an inherited 1980 Dodge Maxi-Van, to the historic little town of Eureka Springs, Arkansas, where she saw street performers for the very first time. Busking seemed a very free and appealing endeavor, so Carper diligently learned all the old country songs she loved as a child. As she belted out the lyrics to “Ramblin’ Man” on the Eureka Springs street corners, life began to imitate art; Carper relocated to music hubs like New Orleans, New York City, Austin, and eventually Nashville, oftentimes busking to make ends meet until gigs would come along. In each hub, she immersed herself in the regions’ musical styles and added them to her arsenal of influences.
Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations - country, bluegrass, western swing, and old-style jazz, playing festivals and shows across the globe, and on shows like “A Prairie Home Companion.” Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and girlfriend Rebecca Patek.
Wanderlust and kismet collided during a stint in Nashville, where she knew she wanted to record her old-time country-tinged, western swing-infused solo album. Having befriended fellow Arkansan and bassist Dennis Crouch (Time Jumpers), Carper sought his advice in putting together the crew that could bring her vision to fruition. Armed with an impeccable lineup of Nashville’s finest session players - Chris Scruggs on rhythm guitar and pedal steel, Jeff Taylor on keys, Matty Meyer on drums, Billy Contreras on fiddle, guest appearances from Lloyd Green, Brennen Leigh, and Sierra Ferrell - the foundation was set. With Crouch and producer/engineer Andrija Tokic (Alabama Shakes, Hurray for the Riff Raff) at the helm, the all-in-one-room performances were captured live to tape at Tokic’s studio The Bomb Shelter. With Crouch on bass duties, Carper was free to focus on delivering her vocal magic, and the raw, early 20th-century vintage sound she desired came to life.
Daddy's Country Gold is just that - 12 glittering Carper originals of the country, western swing, and jazz variety. From the first notes of album opener “Makin’ Memories,” to the whimsical “Would You Like To Get Some Goats” and the heart-wrenching tenderness of album closer “The Stars Are Aligned,” this lifetime of work, experience, and wanderlust culminates in a beautiful portrait of heartfelt music, written by a road-lovin’ gal who has lived these songs and spent her life playing music for folks that still love the real thing.
It’s been said that not all who wander are lost. Some of our greatest treasures have come from wandering hearts, those who are not afraid to take risks and experience what our world has to offer. On March 19th, singer/songwriter, upright bassist, and lifelong wayfarer Melissa Carper will unveil her new solo effort, Daddy’s Country Gold. This shimmering 12-song collection of original gems about love and a desire for the simple life mixes melancholy and humor and creates an irresistible pull between laughter and heartache. Having been compared by her listeners to a bluegrass Billie Holiday and a country Janis Joplin, Carper’s distinct and pure voice has reached a new strength and maturity in Daddy's Country Gold.
As a child, Carper, who acquired the nickname “Daddy” years ago from her bandmates for always knowing how to “take care of ‘bidness’,” would lay her head underneath the family record player as she listened to Hank Williams, Patsy Cline, Johnny Cash, and other greats from her parents’ collection. After a childhood spent in her family’s country band, Carper attended the University of Nebraska on a music scholarship, spending much of her time in the library devouring every Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole album she could find. Around this time, Carper’s father gifted her a full collection of Jimmie Rodgers’ recordings, which was a pivotal moment in finding her unique style of songcraft.
After two years of college, wanderlust spirited her away in an inherited 1980 Dodge Maxi-Van, to the historic little town of Eureka Springs, Arkansas, where she saw street performers for the very first time. Busking seemed a very free and appealing endeavor, so Carper diligently learned all the old country songs she loved as a child. As she belted out the lyrics to “Ramblin’ Man” on the Eureka Springs street corners, life began to imitate art; Carper relocated to music hubs like New Orleans, New York City, Austin, and eventually Nashville, oftentimes busking to make ends meet until gigs would come along. In each hub, she immersed herself in the regions’ musical styles and added them to her arsenal of influences.
Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations - country, bluegrass, western swing, and old-style jazz, playing festivals and shows across the globe, and on shows like “A Prairie Home Companion.” Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and girlfriend Rebecca Patek.
Wanderlust and kismet collided during a stint in Nashville, where she knew she wanted to record her old-time country-tinged, western swing-infused solo album. Having befriended fellow Arkansan and bassist Dennis Crouch (Time Jumpers), Carper sought his advice in putting together the crew that could bring her vision to fruition. Armed with an impeccable lineup of Nashville’s finest session players - Chris Scruggs on rhythm guitar and pedal steel, Jeff Taylor on keys, Matty Meyer on drums, Billy Contreras on fiddle, guest appearances from Lloyd Green, Brennen Leigh, and Sierra Ferrell - the foundation was set. With Crouch and producer/engineer Andrija Tokic (Alabama Shakes, Hurray for the Riff Raff) at the helm, the all-in-one-room performances were captured live to tape at Tokic’s studio The Bomb Shelter. With Crouch on bass duties, Carper was free to focus on delivering her vocal magic, and the raw, early 20th-century vintage sound she desired came to life.
Daddy's Country Gold is just that - 12 glittering Carper originals of the country, western swing, and jazz variety. From the first notes of album opener “Makin’ Memories,” to the whimsical “Would You Like To Get Some Goats” and the heart-wrenching tenderness of album closer “The Stars Are Aligned,” this lifetime of work, experience, and wanderlust culminates in a beautiful portrait of heartfelt music, written by a road-lovin’ gal who has lived these songs and spent her life playing music for folks that still love the real thing.
As a child, Carper, who acquired the nickname “Daddy” years ago from her bandmates for always knowing how to “take care of ‘bidness’,” would lay her head underneath the family record player as she listened to Hank Williams, Patsy Cline, Johnny Cash, and other greats from her parents’ collection. After a childhood spent in her family’s country band, Carper attended the University of Nebraska on a music scholarship, spending much of her time in the library devouring every Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole album she could find. Around this time, Carper’s father gifted her a full collection of Jimmie Rodgers’ recordings, which was a pivotal moment in finding her unique style of songcraft.
After two years of college, wanderlust spirited her away in an inherited 1980 Dodge Maxi-Van, to the historic little town of Eureka Springs, Arkansas, where she saw street performers for the very first time. Busking seemed a very free and appealing endeavor, so Carper diligently learned all the old country songs she loved as a child. As she belted out the lyrics to “Ramblin’ Man” on the Eureka Springs street corners, life began to imitate art; Carper relocated to music hubs like New Orleans, New York City, Austin, and eventually Nashville, oftentimes busking to make ends meet until gigs would come along. In each hub, she immersed herself in the regions’ musical styles and added them to her arsenal of influences.
Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations - country, bluegrass, western swing, and old-style jazz, playing festivals and shows across the globe, and on shows like “A Prairie Home Companion.” Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and girlfriend Rebecca Patek.
Wanderlust and kismet collided during a stint in Nashville, where she knew she wanted to record her old-time country-tinged, western swing-infused solo album. Having befriended fellow Arkansan and bassist Dennis Crouch (Time Jumpers), Carper sought his advice in putting together the crew that could bring her vision to fruition. Armed with an impeccable lineup of Nashville’s finest session players - Chris Scruggs on rhythm guitar and pedal steel, Jeff Taylor on keys, Matty Meyer on drums, Billy Contreras on fiddle, guest appearances from Lloyd Green, Brennen Leigh, and Sierra Ferrell - the foundation was set. With Crouch and producer/engineer Andrija Tokic (Alabama Shakes, Hurray for the Riff Raff) at the helm, the all-in-one-room performances were captured live to tape at Tokic’s studio The Bomb Shelter. With Crouch on bass duties, Carper was free to focus on delivering her vocal magic, and the raw, early 20th-century vintage sound she desired came to life.
Daddy's Country Gold is just that - 12 glittering Carper originals of the country, western swing, and jazz variety. From the first notes of album opener “Makin’ Memories,” to the whimsical “Would You Like To Get Some Goats” and the heart-wrenching tenderness of album closer “The Stars Are Aligned,” this lifetime of work, experience, and wanderlust culminates in a beautiful portrait of heartfelt music, written by a road-lovin’ gal who has lived these songs and spent her life playing music for folks that still love the real thing.